Us Weekly 9.21.2020 – Mix of Image, Word and Film. Us Weekly plays for just the week then is replaced by the next publication. Us Community Members are able to see the content for longer.
Us Weekly 9.14.2020 – Mix of Image, Word and Film. Us Weekly plays for just the week then is replaced by the next publication. Us Community Members are able to see the content for longer.
Might the eyes really be a window to the soul? And if so, what then? Filmed in unusual fashion for the early days of Soul Biographies. But now I have come to understand the importance of patience, stillness and unflinching human contact. The film asks if you are able to see beyond your assumptions.
A man clothed from a wardrobe fashioned by his own success, caught in-sight as to the route of his own undeniable journey towards awareness. A journey crowded with uncertainty, bewilderment and at times, wonder …
This is unusual. Filmed Fall of 2019. This 30 minutes of footage is pretty much uncut. Insights, admissions and all. It is deeply reflective and revealing of where this work is now to be pointed, and the contrarian nature of life and purpose finding you rather than you heading off to find it.
Each of us stand seemingly alone, as we cry out for evidence that we belong. And as we cry out silently through the actions of our every day, we step further from our own sight. Further from the experience of our one same heartbeat. But in the flicker of a single moment …
In a dream more real than his daytime, a grown man meets himself. Himself at just ten. With the light in his eyes. And the world in his heart. He sets out to explain to his young self why he’s taken the road to someone else’s somewhere. But he can’t. And in the deafening silence …
This footage is revealing of what is under all Soul Biographies Inner View. Most probably a must for all drawn to the nature of these films. There is a field. This field is the very atmosphere in which I film. It elicits something different in nature. In Dallas, I sat in this field. This time, in front of the camera. And this is what happened.
I listened to the Members of the Us Community. And to myself. And to the sky above the horizon. And this is what I heard of what we want. Of what this is. Of what ‘Us’ is here for. I wrote it down as a piece entitled ‘I Want This’.
‘We are a Work in Progress.’ And so lives the perilous myth on which our human existence appears to have built itself. We are not yet enough. There is someone we must become. This life has conditions. This piece is central to the way of all of this. And contrarian, if not dangerous.